Pierre Bonnard Beyond Vision. New Haven: Yale University Press, 2022. 

More about my monograph here

Book Chapters

‘Painting the Present after Impressionism: Pierre Bonnard and Time’s Continuous Duration.’

In Time on a Human Scale: Experiencing the Present in Europe, 1860–1930, edited by Allegra Fryxell and Julian Wright. Proceedings of the British Academy. Oxford: Oxford University Press, 2021.

‘On Taking Artists at their Word: Artists’ Writings and Statements from 1850 to the Present’ 

In Where Words and Images Meet: 1670–2020, ed. Florence Grant and Ludmilla Jordanova. London: Bloomsbury Academic, 2024. In press.

Journal articles

‘Review Article: Three Women Artists in Postwar Paris: Anna-Eva Bergman, Germaine Richier, Maria Helena Vieira da Silva.’ French History (2023). Advance online publication.

‘Pierre Bonnard’s Books: An Interpretation.’ 

Source: Notes in the History of Art 40, no. 4 (Summer 2021): 261–68.

‘Pierre Bonnard’s Books: A Catalogue with an Introduction.’

Source: Notes in the History of Art 40, no. 3 (Spring 2021): 186–97.

‘New Light on Pierre Bonnard’s Wife and Model Marthe.’ 

The Burlington Magazine 162, no. 1406 (May 2020): 412–19.

Catalogue essays

Balthus: Under the Surface. In Balthus: Under the Surface. Cologne: Verlag der Buchhandlung Walther und Franz König, 2023. Commissioned by the Luxembourg & Co. Gallery, London.

‘Dream States, Madness, and Poetry in Bonnard’s Contre-Jour Nudes’. In Bonnard and the Nordic Countries, ed. Linda Hinners (Nationalmuseum Sweden, forthcoming, 2024). Commissioned by National Museum, Stockholm.

Book reviews