Pierre Bonnard Beyond Vision. New Haven: Yale University Press, 2022. 

More about my monograph here

Book Chapters

‘Painting the Present after Impressionism: Pierre Bonnard and Time’s Continuous Duration.’

In Time on a Human Scale: Experiencing the Present in Europe, 1860-1930, edited by Allegra Fryxell and Julian Wright. Proceedings of the British Academy. Oxford: Oxford University Press, 2021.

‘On Taking Artists at their Word: Artists’ Writings and Statements from 1850 to the Present’ 

In Where Words and Images Meet: 1670–2020, ed. Florence Grant and Ludmilla Jordanova. London: Bloomsbury Academic, 2023. Forthcoming.

Peer-reviewed articles

‘Pierre Bonnard’s Books: An Interpretation.’ 

Source: Notes in the History of Art 40, no. 4 (Summer 2021): 261–68.

‘Pierre Bonnard’s Books: A Catalogue with an Introduction.’

Source: Notes in the History of Art 40, no. 3 (Spring 2021): 186–97.

‘New Light on Pierre Bonnard’s Wife and Model Marthe.’ 

The Burlington Magazine 162, no. 1406 (May 2020): 412–19.

Catalogue essays

Balthus: Under the Surface

Balthus: Under the Surface. Cologne: Verlag der Buchhandlung Walther und Franz König, 2023.

‘Dream States, Madness, and Poetry in Bonnard’s Contre-Jour Nudes’

In Bonnard and the Nordic Countries, ed. Linda Hinners (Nationalmuseum Sweden, forthcoming, 2023). Commissioned by National Museum, Stockholm. 

Book reviews

Nancy Ireson, ed., Suzanne Valadon: Model, Painter, Rebel (review)’. H-France Review, forthcoming, 2023.

‘Review of Out of Breath: Vulnerability of Air in Contemporary Art, by Caterina Albano’. In (September 2, 2022).

Cézanne’s Gravity by Carol Armstrong (review).’ In Modernism/modernity 28, no. 1 (January 2021): 204-8.